The screenplay, which he wrote with Rick Jaffa and Amanda Silver, described many scenes in the water and underwater with a semiaquatic Na’vi clan called the Metkayina. With his long-awaited follow-up to “Avatar,” Cameron set about exploring more of Pandora. These were groundbreaking visual effects in a filmmaking career with no shortage of them, from the shimmering water-tentacle in “The Abyss” to the shape-shifting liquid metal assassin of “Terminator 2: Judgment Day” and a largely computer-generated ship, populated by computer-generated passengers, in “Titanic.” It enabled his human cast to portray the 10-foot-tall, pointy-eared, blue-skinned aliens called the Na’vi, the inhabitants of a jungle moon named Pandora. For the original “Avatar,” the writer-director James Cameron made extensive use of cutting-edge performance capture technology.
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